and this
and the techy bit
[align=left]
Technical Specifications
Transport
TEAC CMK-3.2 Vibration-free Rigid
Disc-clamping System (VRDS) with Digital Servo
Power Supply:
Dual transformers in internal isolation chamber
Decoding Software:
DigiMaster 2.4 with Selectable Upsampling Algorithms
24 bit resolution
DAC Sample Rate
1.4112 MHz
Digital Volume Control Range:
50 dB in one-hundred ½ dB steps
Maximum Output Voltage:
Can be adjusted via internal switches from 0.3V to 4.25V
to match system sensitivity
Output Impedance:
Less than 15 ohms
Digital Inputs:
1 glass fiber optic (ST)
1 S/PDIF (BNC)
1 plastic fiber (Toslink)
1 AES/EBU (XLR)
All inputs accept any sample rate up to 96 kHz
Digital Outputs:
1 glass fiber optic (ST)
1 S/PDIF (BNC)
1 plastic fiber (Toslink)
1 AES/EBU (XLR)
Analog Outputs:
1 pr. balanced (XLR)
1 pr. unbalanced (RCA)
Power Consumption:
25 watts
Dimensions:
Inches:
7 ¼ h
17 w
16 ½ d
Centimeters:
18.4 h
43.2 w
42 d
Finish Options:
Black or Silver Anodized Aluminum
Weight:
48 lb.. (21.82 kg[/align]
[align=left]Most of this review was conducted with Wadia running direct in to the Advantage 250 mono's . Wiring loom was Krystal Mercury power chords and silver XLR'Sand speaker cable was Acoustic Zen Hologram MKII Birwire[/align]
[align=left]Listening Material[/align]
[align=left]Dire Straits : Love over Gold[/align]
[align=left]Engineers : Engineers[/align]
[align=left]Ed Harcourt : From Every Sphere [/align]
[align=left]Jeff Wayne : War of the Worlds[/align]
[align=left]Pink Floyd: DSOTM ,WYWH and Pulse
SRV : Texas Flood[/align]
[align=left]Antonio Forcione: Tears of Joy[/align]
This is a stock 861 that has been upgraded with an Audiocom clock. Well first impressions are its bloody heavy and commands some serious rack space. The only slightly resonant area of the case work is the top casing . Wrap a knuckle at your own risk anywhere else as it hurts;). Ok now for the scary bit. Yes i know there are many that think burn in or warming up is a load of cods wallop but my last two purchases in kit have both had to go through the warm up process when they've been out of action for a while. The Wadia is the most worrying piece of kit i've owned and as said before it really is a truly messed your pants moment when you first fire it up and play. Lifeless thin, recessed oh yeah and did i mention shite. Some more elders of the hobby though were luckily on hand to pas the Kleenex and lend me a new pair of trousers. The cd player was then left on repeat for a week and no more listening was done. The first in the tray was my old reviewing favourite Love over Gold. This was the first cd i played on day one and it sounded ordinary. I week later and what a transformation. The thing this cd player excels at IMHO is extracting every bit of information there is is on the disc but not in some mad dissected way which means it becomes distracting. It becomes totally musical and involving . Alas the only comparisons i can make is against my trusty old Marantz 63 KI and there were some real in your eye differences( and so there should be) . The Marantz pushes the vocals further forward in the mix than they need to be whereas the Wadia brings the vocal a bit further back into the mix on Telegraph Road. The upshot is you get to hear more of whats going on in the track but Knopflers still there centre stage plucking away furiously. The other astounding thing is the reproduction of drums. The drum rolls seem to start not just outside the speakers but rolled from one boundary wall to another. It really is breathtaking. Its so unforced in presentation that you may think it lacks spark but thats one of its strengths. If it ain't there it ain't there period.
Right on the subject of sound stage which many of you know i love it does this in spades. Not just in width but in height also. What this machine does is have you reaching for cd's that you gave up on a long time ago and staying uplate into the night. DSOTM is simply superb on this cd player. The sax solo's on the Marantz have a tendency to become a bit raspy and shrill. There is a definite reediness that can be heard with the Wadiaand it becomes more lifelike because of it. Remember this is only after 1 week. Yesterday it had ben up and running for two weeks and the sound has improved again. Closely miked stuff is a revelation and acoustic guitar playing is so lifelike in sound and sound effects you could swear you'd know what guitar pick Antonio was using. Downside are if its recorded badly its recorded badly and the Wadia doesn't wash over this. Its still makes it playable but you get the gist of what i'm saying. On Love over Gold there is not a inky black noise floor. You know it was recorded on analogue tapes and its the same for some of the earlier Stones cd's. It doesn't detract from the performance it rather endorses and rubber stamps it. The last cd in tray for reviewing purposes was SRV Texas Flood. James you'll probably know why i 've used this cd and its gets pretty close to what we heard at Heathrow.
If you have the cash this should be on your short list as should many others in this price category . The plus points are of course upgradability which means the casework stays the same but not necessarily the gubbins inside. Just don't listen to it for the first week at least:dude:
[align=left] [/align]
[align=left][/align]
[align=left] [/align]
[align=left][/align]







Reply With Quote
. Its about as responsive as a eunuch in a whore house



. That deck we heard that day still unerves me now as does the Weggs

. 
