Anything out there for download?
Anything out there for download?
diamond bollocks
If 16 bit gives you a dynamic range of 96dB and 24 bit a dynamic range of 144dB and your ears bleed at 150dB why would anybody consider a 32 bit recording?
Vinyl is real, everything digital is just an approximation.
www.vinylcare.co.uk
Who the bloody hell knows Dave. All I do know us that my up and coming Dac is capable of reproducing 32 bit recordings, so if any are available then I would like to listen, even if my ears do bleed
Next.
Last edited by barnacle bill; 17-05-2012 at 09:40 PM.
diamond bollocks
AFAIK master recordings are still only done at 24/192... so if there are any 32/384 tracks out there, they've probably just been upsampled.
Good luck to us all.
'Sometimes via the senses, mostly in the mind' (or pocket)...
That is often the problem with the numbers game . If they are there and you have paid for them you rightly feel that you should be able to use them . Currently even in the esoteric small companies that are using HD recording I am not yet aware of any that have recorded at 32 bit. However with the new generation of chips being produced all capable of 32 bit (the number is bigger therfore it must be better ? Right ? ) it will not be too long before someone does and there will be downloads . Just wait a while and like the buses two will be along in a minute
System - Theta Data Basic II Transport - Squeezebox Touch Toolbox 3.0 Dynobot Mods - Antimode 2.0 Digital Room Equaliser - Concordant Exhilliarant Pre - Krell KSA 50 Amp - Harbeth Compact Monitors II
I reckon the 96dB of dynamic range available on CD is probably about enough. What's needed is a few recording engineers and industry "suits" who are willing to use a bit more than 6dB of it.
I think the ninth law came up in an episode of Judge John Deed recently.
16 bit 96dbs
24 bit 144dbs
32 bit 192dbs
That is ear bleeding material, now wondering the point of a 32bit DAC. Thats more a tech question though; processing power![]()
diamond bollocks
"...man will occasionally stumble over the truth, but usually manages to pick himself up, walk over or around it, and carry on." - Winston Churchill
I agree, and if only someone would sell me high quality 24 bit 96k or 192k recordings at reasonable prices (i.e. much the same or less than current CDs), then I have my credit card ready and waiting. But worrying about 32 bit recordings is pointless. Computers work natively with 32 bits and a lot of the time it is just as easy to deal with 32 bits quantities as it is with 24 bit quantities, but our ears can't cope with the dynamic ranges beyond those encoded with 24 bit depths, and that is all there is to it.
Mostly the second law. It is all tied up with thermal noise and information entropy.
I have done some quick calculations. Assuming an amplifier input with 2V sensitivity into 50K Ohms running at room temperature:
32 bits at 6db/bit is a dynamic range of around 216dB. At full scale (32-bits), the amplifier input current is around 40uA. The current for 1 bit output is 9.3E-15A.
I calculate the Johnson noise current alone at 300K as 8.14E-11A, making just this noise current around 8,700 times greater than the signal.
To make use of 32-bit resolution, you would need to cool the whole of your audio system and your ears to below the temperature of liquid helium.
Don't try this at home!
Let's not forget that the top full-range speakers (f. ex. B&W 800, ATC SCM300) have a specified maximum continuous SPL of around 120dB at 1 meter and most rooms have a noise floor of around 30dB.
This means that with such speakers the useable dynamic range is below 90dB and that more ordinary loudspeakers will reduce this DR to values of 75-80dB (13bit).
R
"...man will occasionally stumble over the truth, but usually manages to pick himself up, walk over or around it, and carry on." - Winston Churchill
In practical terms, yes. A well designed sixteen-bit system will be sonically indistinguishable from a well designed system with a larger word size. Even with a 24-bit system, the lowest four to six bits will most likely just be noise. Going to 32 bits is just silly.
The distortion produced by even the best loudspeakers is still orders of magnitude greater than that produced by a well designed sixteen-bit DAC.