Regardless of the strategy you will need a decent temp gen.
The strategy will largely depend on the type of music you play. Stevenson has the lowest distortion at the end of the record, so it will do well for (orchestral) classical where you have tutti at the end of the piece. It also has the shortest overhang.
Loefgren A (= Baerwald) probably has the lowest average distortion over the whole side.
I generally use Baerwald as it seems the easiest "safe" option. I already have a reasonable template for that, so I'll stick with the old faithful for now I think, unless there are any good reasons I shouldn't.