If you do make your own music CDR compilations using a computer, what speed do you usually choose when recordings the discs?
When I had my huge recording spree back in 2001-2, I chose 4x max as it seemed I could hear differences between 4x and 8x, as the latter seemed compressed (even if the music files were compressed).
Despite what non-audiophile CDRers were saying in their FAQs at that time, I could also discern differences between brands of CDRs. Verbatims seemed marginally brighter at the top end.
Also, from a technical point of view, a "Music" CDR does not offer increased aural benefits from a non "Music"-designated CDR. The former is just formatted for use in separates CDR decks, right?
And finally, it is not possible for a music CDR made from a PC recording to be aurally inferior to a dedicated CDR deck, right? I don't think I will ever own the latter... though I'm curious to know - from audiophool users of CDR decks - as to the truth of the matter.
SS...about to embark on a new session of CDR compiling:nerd:
When I had my huge recording spree back in 2001-2, I chose 4x max as it seemed I could hear differences between 4x and 8x, as the latter seemed compressed (even if the music files were compressed).
Despite what non-audiophile CDRers were saying in their FAQs at that time, I could also discern differences between brands of CDRs. Verbatims seemed marginally brighter at the top end.

Also, from a technical point of view, a "Music" CDR does not offer increased aural benefits from a non "Music"-designated CDR. The former is just formatted for use in separates CDR decks, right?
And finally, it is not possible for a music CDR made from a PC recording to be aurally inferior to a dedicated CDR deck, right? I don't think I will ever own the latter... though I'm curious to know - from audiophool users of CDR decks - as to the truth of the matter.
SS...about to embark on a new session of CDR compiling:nerd: