I agree the music doesn't "come together" as coherent musical works. It's more a stream of consciousness type of thing, just moment by moment creating a beautiful place to be.
I hear that. Maybe I just need more coherence... a la Steinberg's Passion Week.I agree the music doesn't "come together" as coherent musical works. It's more a stream of consciousness type of thing, just moment by moment creating a beautiful place to be.
This is annoying, I heard Kogan with MRSO here, which was great.musicbox wrote:
Au contraire, mon ami! - I'd rate it above the Tchaik or Mendelssohn VC any day.
Played by Rosand or Kogan though (among others, I am sure) and it is a most wonderful piece of music .....![]()
I don't intend this as a willy-waving contest (please pardon my French) but what violinists have you heard play the Khachaturian VC, mb? I am genuinely curious.
I have not seen the YouTube Moscow performance you linked to before.This is annoying, I heard Kogan with MRSO here, which was great.
However on CD I can only seem to find his recording with the Boston Symphony. Any idea if it's similar or if it's really the MRSO one to get (and if so if it is on CD?)
Wow, that's a stunning performance and recording.This is annoying, I heard Kogan with MRSO here, which was great.
If you click the return arrow on a quote it'll take you to the post being quoted!I had to dig back to 2007
Sorry, missed that. I can't find that recording online anywhere so will have to make do with Kogan, which is fine I'm sure.I mentioned the conductor being Bakels.
I had a feeling Moscow would be better - I guess just Ruskies playing Ruskie music. I'll likewise save the piece - it was very good.Performance-wise.... there's a wonderful sense of flow in Moscow, more velvet to the sound as well.
It's good to have both, but I'd be happy with only the Moscow on YouTube