He missed out the Thorens TD150 which preceded the 160 by a good few years and was where Thorens first used the AR type suspension. Perfomance wise I doubt anyone could tell the difference between the two in a blind test (the sub chassis and platter are identical with the exception of a ball bearing versus a single point bearing.
Of course prior to that was the TD123 aaand 124 which are superb turntables (with a brilliant sound)
He says about the P3 in 1977 .. the Rega appeared as the Planet in about 1972 and the only change was to add a glass plinth instead of the tripod arrangement (hence planet). When I bought my first speakers the dealers dem room was equipped with the TD150 and Rega Planet for dems (as these were the two main turntables they sold at that time). As to the P3, in a blind test I doubt anyone could tell the difference between it and the previous planar 2 and 3. What amazed me when I sold them was the Planar 2 had a lovely hardwood edge to the top plate and cost less than the 3 which was the same but no hardwood edge but some type of formica covering to the bass plate.
The Linn LP12 commentary was a bit wayward - it did not appear until 1973. The Ariston RD11 designed by Hamish Robertson (well he took a Thorens TD150 and reengineered it with better bearing and sub chassis and a machined heavier platter) came out in 1972, Of course the Linn was identical (the first Sondeks even had the two switch arrangement (one for on one for off and did not have a fluted plinth). However, what Linn should be famous for is not the turntable (which they had nowt to do with the design) but the fact that it was they who pointed out Turntables sound different and was an important if not the most important part of the hifi chain (rubbish in rubbish out theory) .. of course that got a bit overblown as the law of diminishing returns applies and also the fact that if the amp and speakers were not great then a good source versus a great source did not yield as massive an improvement as they would have had you believe. A Rega or Thorens with a great arm and cartridge would sound better than the Linn with the original basic arm and cheaper cartridge.
I think it was sad he did not include the Gale Turntable which in turn led to the design of the Oracle ..
Last but not least from that era was the wonderful Tecnhics SP10 which in the right plinth was a magnificent sounding source.