Sorry to go back a few hours but a question or three for Keith prompted by a more recent response:
- Is EQ an "effect"?
- Does using the EQ settings in a DAC constitute the DAC as an "effects box"?
- By distorting in this way the signal received by the DAC, would one be "adding distortion"?
Are you therefore recommending that people add distortion? I'm confused.
One of the supposed advantages of the RME ADI-2 is the flexibility of its filters, EQ etc; if we hear one, like it and buy it but then adjust such settings, will we be in for a telling off by Uncle Keith?
EQ'ing can be used to achieve a flatter frequency response at the listening spot. In that case it's not a distortion but the correction of a distortion.
.
All equipment produces distortion. Some "links" of the reproduction or playback chain produce more distortion than others.
And for each "link" there are topologies which produce more distortion than others.
.
Some distortion sounds nice (to some people), which is why they are described as euphonic.
Why to some people and not others.
I guess that it depends on the music we listen to, our familiarity with live sound, and ultimately our taste. Some people can only tolerate very low levels of distortions whilst other enjoy the effects that they produce, like making the sound "fuller" or adding a bit of extra reverb and enhancing the 3D-ness or spaciousness of the recording, the roll-off of the top end or a reduction of crispness to mask a bad production or mastering...
I listen mostly to classical and for me the most transparent equipment will make the recording sound more natural, the recorded instruments sound more realistic, the recreation of a the reverberant space of the original venue more palpable. Harmonic and intermodulation distortion muddle the sound of complex passages in orchestral music, speed fluctuations kill the sound of the piano, breakup resonances of "hard" mid-woofers turn violins into ear-piercing weapons of mass destruction, under-damped ports tuned to frequencies in the mid tens or above make a mash out of bowed double-basses.
For studio productions moderate amounts of some types of distortion can less objectionable, and can even improve some drier or overly-lean recordings.
But in my experience any kind of distortion will have a negative impact on the signal, making the reproduction sound more like recorded music than real instruments and vocals.
My suggestion: handle with care.