Or the latest Class D of course - see my post above!Once you’ve gone Class A, theres no way back other than deafness or stupidity or electrical costs.
Or the latest Class D of course - see my post above!Once you’ve gone Class A, theres no way back other than deafness or stupidity or electrical costs.
+1The combination of low efficiency speakers and monster-power amplifiers can be very impressive, but to my ears, the most 'natural' sounds come from the opposite combination. High efficiency speakers and a few watts of class-A just usually sounds somehow 'right'. Do it with single-ended triodes, and it just sounds 'very right'.
IMO.
Probably down to the frequencies they amplify most (ie where the peaks are in the response curve) and how widely the speakers disperse their o/p (closed back 4 x 12s are known to be quite directional but an open-backed 2 x 12 can splatter signal over a wide area). I've also heard it said that Marshalls often sound louder because they are dirtier: I've often tried getting a clean signal out of a mid 60s plexi in studio conditions and it doesn't matter what you do the signal still seems filthy ... whereas live it just seems louder than everything else. Not that I mind, of course Funnily enough I also have an AC30 which although it puts out only 22W max I've never tried turning it right up as it would not only pin punters to the far wall it would push them through to the outside as well.There's more than 1x 100W valve guitar amp head here that have seen their share of big gigs
It down to the design of the amp and not the power they are capable of delivering.
I'm sure there are others but for me the best class D was the Amptastic. It really was excellent.All I’d say is don’t fall in love with inefficient and environmentally unfriendly Class A until you’ve given the latest Class D a decent trial.
I don't know your definition of 'budget' but you can't go wrong with a Sugden A21a, at about £600 or so.What would be a good, low risk, budget way to get started with class A? Integrated or power amp is fine. My speakers are 97db btw.
Having sold my high end class ab to pay bills I had class d icepower with my tannoys .They were warm , delightful and really musical with bel canto pre and were in situ for several years .Look for amps built by joeh283 on eBay. Joe Henry builds some stonking Pass clone (official Nelson Pass kit designs) plus other class A amps and sells at sensible prices. His workmanship is first class.
Can I ask what the price is/was? I’m not familiar with his offerings, but I’ve seen the 6 or so different models on eBay, and there’s a f5 stereo turbo. Are yours the same, but in two boxes in effect?However the Joe Henry f5 monoblocks are better , can't quite say how but they are . The system sounds sensational imho ( tannoy Eaton monoblocks) .I like the jh amps as they are not big and easy to carry and accommodate .
Highly recommended at the price
I don't know your definition of 'budget' but you can't go wrong with a Sugden A21a, at about £600 or so.
Just for balance, see Morgan Jones on switch-mode PSUsVery high quality power amplifier using a switched-mode power supply. The power supply is arguably the most important part of a modern amplifier and this one is extraordinarily good. The result is a compact unit of remarkable anonymity and an ability to control almost any load.
yes i believe they were originally 1300 pounds . f5 clone with better bits than normal . i am not worried about one man bands , there are so many in this game , graham tricker of GT audio , firebottle , joe henry , glen croft ... multiple folks . at some point i want another set of AB amps to use with the hornsCan I ask what the price is/was? I’m not familiar with his offerings, but I’ve seen the 6 or so different models on eBay, and there’s a f5 stereo turbo. Are yours the same, but in two boxes in effect?
They look very nicely built, but is this just a one man band - so if he keels over the warranty has ended?
Same top speead but the one with more torque will get there quicker!A car with 200hp/250lbs of torque will be much faster compared to the same car with only 200hp/175lbs of torque.
Would that equate more to maximum current availability in your amp, subject to any limiters coming into play? Or, in effect, the amp’s ability to continue to double its output with each halving of impedance.IMHO, in a power amplifier, the size of the power supply will likely determine the torque. So yes, not all watts (hp) are created equal and it doesn't have anything to do with Class A or AB.
Makes sense to me, as torque is angular force, and f=ma, so for the same m you get more a if you have more f. However I was shouted down for saying that on another forum, by someone who said that you get acceleration from an excess of power over the requirement for keeping the vehicle at a constant speed. I could blow off a Honda CB750 from the traffic lights on my Norton Commando as it would pull like a train from almost tickover whereas the CB engine had to be spun to at least 6,5k before it would do any work - plus I had a 4-speed box while the CB had 5 (according to its wikipaedia page) with a narrower torque band up with the power band, I didn't have to waste so much time changing gear. 's funny, both engines were designed by the same bloke! The said reference doesn't state who designed the engine but Bert Hopwwod said he did (in his book Whatever Happened to the British Motorcycle Industry?)Same top speead (sic) but the one with more torque will get there quicker!