Killing Joke – Brighter Than A Thousand Suns (1986)
Grooveshark_1986
http://www.napster.co.uk/artist/killing-joke/album/brighter-than-a-thousand-suns/1986 original'>Napster_1986
Spotify_2007
Deezer_2007
1986: Original version
2007: Restored version
(See later note)
Buy_On_Amazon
Starting from their post-punk roots, before moving into new wave, and then industrial/tribal metal, Killing Joke are still going strong and are now up to 14 studio albums. Brighter Than A Thousand Suns was their 6th album, as they were going through their new wave phase in the mid 80s; their original sound had been toned down at this point, a bit less savagery and a tad more melody, and Jaz Coleman was trying to sing rather than growl. However those big never-ending trademark guitar riffs are still present in abundance, and there’s no-one to touch them where these are concerned.
Note that there are two different versions floating around on the various streaming sources. The album was originally mixed by producer Chris Kimsey, however the label wanted something a bit more commercial and got Julian Mendolsohn in to remix it emphasizing the synths together with a bigger anthemic feel (1986: Original Version). When the time came for a remaster in 2007, the band decided to use the first mix as a starting point. The sound is a bit more stripped back with the keyboards taking a back seat (2007: Restored Version).
Grooveshark_1986
http://www.napster.co.uk/artist/killing-joke/album/brighter-than-a-thousand-suns/1986 original'>Napster_1986
Spotify_2007
Deezer_2007
1986: Original version
2007: Restored version
(See later note)
Buy_On_Amazon
Starting from their post-punk roots, before moving into new wave, and then industrial/tribal metal, Killing Joke are still going strong and are now up to 14 studio albums. Brighter Than A Thousand Suns was their 6th album, as they were going through their new wave phase in the mid 80s; their original sound had been toned down at this point, a bit less savagery and a tad more melody, and Jaz Coleman was trying to sing rather than growl. However those big never-ending trademark guitar riffs are still present in abundance, and there’s no-one to touch them where these are concerned.
Note that there are two different versions floating around on the various streaming sources. The album was originally mixed by producer Chris Kimsey, however the label wanted something a bit more commercial and got Julian Mendolsohn in to remix it emphasizing the synths together with a bigger anthemic feel (1986: Original Version). When the time came for a remaster in 2007, the band decided to use the first mix as a starting point. The sound is a bit more stripped back with the keyboards taking a back seat (2007: Restored Version).