Callas

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Solid or any other Callas fans.:DWhat is the piece of music from the film Philadelphia which features Miss Callas singing her little lungs out. Its in the scene where Tom and Denzel sit down in his apartment and Andy asks his laywer does he like opera.

Even for a hard nosed mick like myself its a quite moving pieces of singing.:Not Sure:

 

SSM

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"La mamma morta"* from Giordano's Andrea Chenier

*roughly translated, the title means: Mum's not cooking anymore...
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G

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Well i'm going to buy it. Must fight this phobia of change as i get older. I saw some nice beige slacks,green cardy and hush puppies yesterday though.
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SSM

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Besides the Philly soundtrack you can get thataria on this Callas compilation:

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Besides the Giordano,this disc also has excerpts from French operas which could inspire and arouse your inner Gaul.:flasher:

Callas singing in French always does me in. Her rendition of 'Mon coeur s'ouvrea ta voix' from Saint-Saens' Samson et Dalila is heavenly. It fits that famousdescription of her voice- "if an orgasm could sing, it would sound like Maria Callas".
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Alas, that Saint-Saens' excerpt is not in the above compilation but can be found here:

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This Paris recital is exceptional.

 
G

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Thanks SS . I need some soothing music today. Was definitley squiddly diddly last night. I'm up early and searching for the aspirin as we speak:Upset:

 

SSM

Wammer
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My pleasure, cupcake.
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Now that a Callas thread has been started, a picture spread is coming soon.
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Meanwhile...

No moron has only five Callas opera recordings, of course, but what if he was asked to list La Divina's top five opera sets? Here is my personal selection:

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5. Cherubini's Medea

Callas single-handedly revived this opera in the 20th century and the role of Medea since then has belonged to her and her only. She is accompanied by the ever-flamboyant Leonard Bernstein and together they inject as much drama and (unorthodox) pathos into this opera as one could wish for. Thrilling.

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4. Puccini's Tosca

There is no such thing as a perfect opera recording where someone in the cast/chorus/orchestra doesn't screw up somewhere, but this very famous opera set comes closest to such a claim. This is the Tosca set to have. All three principals (Callas, di Stefano, Gobbi) are on their best form and they are supported by de Sabata's amazingly electric accompaniment - it sounds as if the great Wilhelm Furtwangler is at the podium.

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3. Donizetti's Lucia

Callas can hold together an entire opera production on her own, but with the great Karajan onboard things get even better. This dynamic duo also recorded superb renditions of Madama Butterfly and Il Trovatore together, but it is this Donizetti which represents the crown jewel of their work together. Don't miss it.

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2. Verdi's La traviata

This live recording at La Scala has yet another legendary conductor at the podium - Carlo Maria Giulini - and La Divina was at her absolute vocal peak. If you ever wondered what the Callas magic was all about, the testimonial proof of this set will bury you alive!
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(Giulini considered this his greatest achievement on the gramophone.)

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1. Bellini's Norma

Norma is Callas' greatest role and Bellini the composer closest to her heart. She made several recordings of this opera. This one was captured when her vocal problems had developed, but Callas' increased dramatic maturity and psychological penetration into this complex role has never been surpassed. You will gladly overlook several wobbly top notes, to appreciate the marvellously dark resonance her middle registers had acquired. It is like listening to a priceless and well run-in Stradivarius violin. This is indispensable Callas.
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G

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Welcome back lanky. I take it your kneecap is still in one piece:p

 

JamPal

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All good thanks mate. Have started a holiday thread with some piccies, it's a beautiful spot, highly recomended.
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Anthony

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SS

Thanks for this. have only heard callas a few times, but was always something that i thought ' must get something in the future'. will make a note of your recommendations and grab at least one of them. it's always hard to know which recording to buy unless you get a recommendation.

thanks again.

anthony

 

SSM

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Anthony, that legendary Tosca set is a good place to start with Callas. If you are not an opera aficionado you could find the Cherubini/Donizetti/Bellini sets not easy to navigate through.

If you want to appreciate Callas' artistry alone, minus the distraction of other singers a good place to start will be the La Divina compilation series (3 CDs in all). These feature the key arias from her excellent complete opera recordings. There is also theradiant French recital listed above. However, IMHO the most lovable introduction to Callas is the CD below:

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Puccini was not Callas' favorite composer but, boy oh boy, she interpreted the arias on this set far better than Puccini specialists like Tebaldi, Caballe or Freni. Each Puccini heroine here is well differentiated from the others, a testament to La Divina's uncanny ability to cut right through to the psychological essence of any opera role. Too good!
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You won't be disappointed with this one.

SS

 

Anthony

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yep, discrete pieces of music are probably more suited to me rather than a 3 hour opera with nothing to watch to explain what is going on

much appreciated

anthony

 

SSM

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BARGAIN ALERT!
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EMI is releasing a new compilation of The Divine One's recorded legacy. It comprises six discs and will include extracts from Mme Callas' most important opera recordings. From Verdi to Bellini to Puccini to the French masters, this collection is not to be missed. A classical music library that is devoid of Callas CDs is not a complete one IMO. All of the material had been released before, of course, but it is the duty of all voice-lovers to keep supporting all these Callas re-issues.
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Like Pringles, you can't stop at one...
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Very classy black and white cover.
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I got mine on pre-order.
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SS

 

SSM

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Glens of Antrim wrote:

She still screeches
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Oh Yeah?
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FYI Miss Gheorghiu's top is hardly more secure than La Divina's.

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[line]

I see the Grammy awards has given Mme Callas the Lifetime Achievement Award. Another co-honoree being Jim Morrison.
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The short speech in her honour was okay, but the camera then panned to the the superstar audience and the bored looks of "huh?" on the mugs of all those superstar rappers was just pathetic. Philistines!
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Mary J Blige then followed soon with a screechy performance backed by an orchestra decked with MJB banners.
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Couldn't the show at least hire a real opera singer to do the Callas tribute. The only thing appropriate to Mme Callas about MJB's performance was her DruidNorma hairdo.

No wonder the last time I watched the Grammys was 2002.

SS

 

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