Excerpt from Paul Rigby 8/10 review which confirms the positive effect on analogue kit (phono stage and pre):
All kinds of changes occurred when the Puritan entered the frame, the drums emerged from a silent background giving the complex rhythmic drumming a distinct and penetrating effect with oodles of character and oragnic resonance.
Speaking of which, Gray’s voice, such a grainy instrument on its own, benefitted with a reduction of noise, giving his delivery more air and space to manoeuvre. The grains in his voice were almost seperated. You could hear into his voice. That is, the tiny intonations as he sang each word held more information and clarity.
There was also more air and space between the synth and piano, allowing each more elbow room to provide a greater tonal accuracy as the smoother midrange performance provided more ease and flow.
I then attached the supplied power cables to the phono amplifier and pre-amplifier and back to the Puritan. The result was a further reduction in noise and a richer, more mature sound. Sonic strident spots were calmed, clarity was infused into the soundstage while further noise reductions allowed the subtle aspects of the music to be brought forth. Once the gamut of tiny details were visible to the ear, the song itself provided a fuller and busier experience.