If you get 'out and about' a bit (as I do, on the Wam Taxi, and at the bake offs, Shows and wotnot) you are confronted with (and have been confronted with in the past 50 years in my case) an array of systems and their authors.
What do you make of them both? Its all a bit bewildering, innit? We know who is the fastest male or female over 100m cos the clock tells us. But with with sound quality the clue is in the word 'quality' i.e. we cant measure it with an instrument ( a clock) but we can 'gauge' it with our ears. IME at bake offs a consensus emerges.
Its not easy to make comparisons without a bit of rigour regarding common sources such as an LP or a CD, or a streamer, but nonetheless we all form an impression, and its impossible not to, of what the owner is doing and what he has achieved. And my experience is that there is plenty of consensus about what is a good sound.
So in this thread I advocate the 'arrow' is firmly pointed at the man (or woman) whose theories about system building, matching, experience, and set up know how is exemplified in their SOUND.
I want to characterise the owner of a separates system as a DESIGNER, who has a responsibility for the results.
So when somebody says ' I heard The Flash's system, or Psilonaught's system, or Rabski's system' I am recognising their pivotal role in thinking the system through and choosing its components. by those individuals.
In effect I'm taking away the qualities of the individual components and placing the emphasis on the mind behind the system.
Jack
What do you make of them both? Its all a bit bewildering, innit? We know who is the fastest male or female over 100m cos the clock tells us. But with with sound quality the clue is in the word 'quality' i.e. we cant measure it with an instrument ( a clock) but we can 'gauge' it with our ears. IME at bake offs a consensus emerges.
Its not easy to make comparisons without a bit of rigour regarding common sources such as an LP or a CD, or a streamer, but nonetheless we all form an impression, and its impossible not to, of what the owner is doing and what he has achieved. And my experience is that there is plenty of consensus about what is a good sound.
So in this thread I advocate the 'arrow' is firmly pointed at the man (or woman) whose theories about system building, matching, experience, and set up know how is exemplified in their SOUND.
I want to characterise the owner of a separates system as a DESIGNER, who has a responsibility for the results.
So when somebody says ' I heard The Flash's system, or Psilonaught's system, or Rabski's system' I am recognising their pivotal role in thinking the system through and choosing its components. by those individuals.
In effect I'm taking away the qualities of the individual components and placing the emphasis on the mind behind the system.
Jack