Great time all around. Thank you Ian for the pizza as well as organising the entire thing, Julian for giving me a lift back to Coventry central, and Rob's wife for the wonderfully delicious Pavlova! As a side note, Rob may now find me looking to attend bakeoffs where I can have the chance to sample more of Ms Rob's baking.
Enjoyed the standard tracks. I've added Across the Lines and Ashes to Ashes to my music library. There are some others I'd like to add, will need to do some digging and listening to other people's personal tracks to find the particular songs I really enjoyed.
For anyone interested, if not for lacking the RCA to 3.5mm interconnect, my 25 minutes of tracks would have consisted of:
Hit Me - Dirty Loops
nATALIE - Lemm
One Flight Down - Norah Jones
Kaikai Kitan - Eve
By Your Side - Sawada Kaori
Kaen - Ziyoou-vachi
My provisional impressions of the DACs paired with Ian's setup were as follows in order of testing:
Didit DAC - Soundstage felt constricted. But it filled up the confines of those restrictions with noticeably significant body. If most cases, a wider soundstage feels like the sound emanating out and gradually fading as the distance travels out. With the DiDiT it sounded like there was no fading and the proximity of the soundstage was filled up to the brim. Vocals were recessed for my liking, but it definitely had the most engaging processing of instruments/acoustic effects. Personally, I prefer a more natural sound but even then, the DiDiT had me tapping my feet at processing effects. I would actually describe it as having a tube-like funkiness that is more aggressive than laid-back/warm.
Arcam D33 - Sounded a tad too analytical to my ears, and the mids were not as recessed as the DiDiT, but recessed all the same. Detail was fantastic. I feel the speakers of the day, Q Acoustics Concept 300, are more on the analytical side of the sound spectrum to my ears, and that the Arcam would pair well with a warm, naturalistic sounding setup. My vocabulary isn't very good but basically I definitely thought the Arcam would pair quite well with something like an electrostat configuration which tends to present immaculate detail/imaging in a more relaxed way.
Rega DAC - Imaging was quite impressive on this one. Felt like it was on the opposite spectrum of the DACs which sounded right, but not in a bad way. The 'right' sounding DACs feel like they'll tell you how the music is, no frills, and not hide anything bad. The Rega gave me the impression it would make mediocre things sound good. From cursory reading, this is mentioned as a 'warm DAC' by many on the internet. I also know I have an innate preference for warmer sounds. On the day, I think the Q Acoustics Concept 300's analytical panache balanced out the warmth of the Rega to produce excellently balanced synergy. Which says a lot about system synergy, considering how much cheaper it is compared to some of the other DACs we sampled (similar price-wise to a Mojo I believe if not more expensive). My pick for king of 'Bang for your Buck'.
Denafrips Pro 8 Mk1 - Sounded 'right'. Lovely soundstage and made sure to not miss any devils in the details. Imaging was a step up from the Rega. There was no personality I could ascribe to this other than 'balanced'. Sounded like the performers were in the room with me.
Audial S5 - Extremely smooth to my ears and the vocals were very luscious on these. I think this was the only DAC which sounded 'mellow', not trying to bring any details to your face. In that sense, it was the politest of them all. But on tracks where vocals were not the focus, they struggled to keep me engaged and were a bit too laid-back. If theoretically you could combine the Audial S5 and the DiDiT into one package where you had the Audial's vocals/soundstage and the DiDiT's everything else, that would be one hell of an emotional DAC that has it all across the board, which would be on the complete flipside of the spectrum from the Denafrips/Holo DACs. In isolation I'd say they fantastically complement each other as listening experiences. Not taking amplifier into consideration, I think this would pair well with KEF/Tannoy speakers.
Holo Spring Kitsune - Very lively personality. The sound textures were pristine. Sounded 'righterest' of all the DACs and holographic (best soundstage that was so immersive it sounded very 3D) to boot. Imaging was even more of a step up from the Denafrips Pro 8 MK1.
Sounded even more like the performers were in the room with me as well.
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If I were to only have one standalone DAC out of the lot, I would absolutely choose the Holo Spring Kitsune/Denafrips Pro 8 MK1. Then again, my listening preference tends towards naturalistic/smooth sounds.
I don't think the Chord Mojo would be a slouch at all. I think it would lose out on soundstage, but show up in a similar way to Rega in terms of making bad recordings sound pleasant too with the caveat of also sounding revealing due to Chord's FPGA implementation. But I guess that's something for us to find out next time/in the distant future.
Once again, it was great meeting and awesome to see everyone. I would like to thank everybody for being accommodating and welcoming of me - especially Ian for being a brilliant and kind host - and I hope to see everyone once again at some point in the near future